Please Mr. Custard

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  • Did you ever hear the story about the three-legged dog who limped into Dodge City looking for the man who shot his paw?  Many of you have already heard that joke, but I feel that it is strong enough, comically speaking, to repeat.
  • Our local radio station only plays music that was recorded between 1950 and 1969.  Just the other day I heard a song from my youth that I wasn’t even sure was a song.  (I actually thought he was saying Mr. Custard).  Wikipedia says the following:  “Mr. Custer” is a novelty song, sung by Larry Verne, and written by Al DeLory, Fred Darian, and Joseph Van Winkle. It was a number-one song in the United States in 1960, topping the Billboard Hot 100 singles chart for the issue dated October 10, 1960, and remained there for one week. It is a comical song about a soldier’s plea to Custer before the climactic Battle of the Little Bighorn against the Sioux, which he did not want to fight.[1]  “Mr. Custer” was also a No. 12 hit in the UK for Charlie Drake in 1962. So that means I was a very small person when this song came out.  How about you?  Do you remember when this song came out?  Check it out at http://www.youtube.com/watch?v=F0nHWAoIfxo
  • As for me, I have been quite busy with school.  I am learning all about music theory and composition.  If you ever decide to go into that field, I have one piece of advice:  Buy a large box of erasers.  You will need them.  If you are composing a piece of classical music in a minor key, and happen to move from a V chord to a VI chord (a move known as a “Deceptive Cadence”) you must be sure to not double the root.  You always double the third, otherwise you will end up with an augmented second interval, which apparently is not a good thing. Why does this only happen between the V and VI chords?  It happens because that is the only place in a minor scale where two major triads are found a half-step apart.  But you probably already knew that.

Author: The Write Stuff by John G.

Writer and Lover of Life

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