Only 68 Songs to Go

We continue on our journey through the Big Book of Classical Music with song number 32.

Here are two versions of Meditation, from the opera “Thais” by Jules Massenet.

According to our good friends at brittanica.com, Jules Massenet, in full Jules-Émile-Frédéric Massenet, (born May 12, 1842, Montaud, near Saint-Étienne, France—died August 13, 1912, Paris), was a leading French opera composer, whose music is admired for its lyricism, sensuality, occasional sentimentality, and theatrical aptness.

The son of an ironmaster, Massenet entered the Paris Conservatoire at age 11, subsequently studying composition under the noted opera composer Ambroise Thomas. In 1863 he won the Prix de Rome with his cantata David Rizzio. With the production in 1867 of his opera La Grand’ Tante (The Great Aunt), he embarked on a career as a composer of operas and incidental music. His 24 operas are characterized by a graceful, thoroughly French melodic style. Manon (1884; after Antoine-François, Abbé Prévost d’Exiles) is considered by many to be his masterpiece. The opera, marked by sensuous melody and skilled personification, uses leitmotifs to identify and characterize the protagonists and their emotions. In the recitatives (dialogue) it employs the unusual device of spoken words over a light orchestral accompaniment. Also among his finest and most successful operas are Le Jongleur de Notre-Dame (1902), Werther (1892; after J.W. von Goethe), and Thaïs (1894). The famous “Méditation” for violin and orchestra from Thaïs remains part of the standard violin repertory.

Several of Massenet’s operas reflect the succession of contemporary operatic fashions. Thus, Le Cid (1885) has the characteristics of French grand opera; Le Roi de Lahore (1877; The King of Lahore) reflects the Orientalism—a fascination with Asian exotica—that was also prevalent in the 19th-century European and American art market; Esclarmonde (1889) shows the influence of Richard Wagner; and La Navarraise (1894; The Woman of Navarre) is influenced by the end-of-the-century style of verismo, or realism. Also prominent among Massenet’s operas are Hérodiade (1881) and Don Quichotte (1910).