Yesterday’s Mozart song sounded so good I thought I would follow it up with two more songs today. Number 71 in the countdown of 100 classical songs is titled Eine kleine Nachtmusik(A Little Night Music), written by Wolfgang Amadeus Mozart (1756-1791).
And number 72 is Sonata in C Major by the same composer. It is the sixth and final song in the list that was written by Mozart (or, ‘da Man’ as he is sometimes known):
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty, embarking on a grand tour. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position.
While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in Vienna, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death are largely uncertain, and have thus been much mythologized.
Today’s song was written by Wolfgang Amadeus Mozart (1756-1791) and is titled Alleluia. It is number 70 in the countdown of 100 classical songs, which means there are only 30 songs left.
This religious solo motet was composed when Mozart was staying in Milan during the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato (huh?) Venanzio Rauzzini,who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year.
While waiting for the end of the run Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on January 17, 1773, while Rauzzini was still singing in Mozart’s opera at night. Mozart made some revisions around 1780. On May 30, 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church in Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn.In modern times, the motet is usually sung by a female soprano.
Number 38 in the countdown of classical music is a version of a 13th century song that was written by Wolfgang Amadeus Mozart (1756-1791). It is called Ave Verum Corpus.
According to wikipedia.com, “Ave verum corpus” is a short Eucharisticchant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript.
We continue on the magical classical musical journey with a song by Mozart (1756-1791), entitled “Lacrymosa” or “Tearful.” It is from his Requiem opera.
According to wikipedia, The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on December 5 the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service to commemorate the anniversary of his wife’s death on 14 February.
Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart’s widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner’s identity, and that Mozart came to believe that he was writing the requiem for his own funeral.